Featured Photo - 201007020150

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201007020150

South Downs Sunset II

Nikon D200 w/ Sigma 10-20mm @ 12mm.
1sec @ f/8. ISO100.

Hitech .9 Reverse Grad
Lee filter holder.

RAW Processed in Lightroom 3.
Tweaked and sharpened in Photoshop CS5.

Near Southwick, Fareham, Hampshire.


And to think, we nearly left before sunset as the sky was boring...

As we arrived, the sky to the east was gorgeous; blue skies, fluffy clouds, with a front blowing in from the west.
Looking west, it was just grey... rain bearing, flat, grey...

Neither myself nor Mark had high hopes for the sunset, we said we'd retreat to some ponds near my house if the sky didn't improve; easier access to tea at my place.

We both shot quite a few images in the evening, making the most of the blue skies and patches of sunshine, which were few and far between; both trying different techniques, and generally chilling out, like most of our shoots.

Hopes weren't high, and the discussion drifted towards what'd we'd be having for dinner and other locations, hoping to make the most of the cloudy skies;
Long exposure seascapes? Tides out... Ponds? Maybe...
When we caught a glimpse of the sun, desperately trying to break through the cloud. A little hotspot burning through the thick rain clouds, maybe there was hope after all.

The sky to the west slowly started to take on a soft pink glow, just along the horizon at first, and then spreading higher.
I bolted on the telephoto and started isolating the horizon with the pink glow behind it, when boom, as if on queue, the sun burst through the cloud, illuminating the South Downs.

Sigma 10-20mm back on, filter ring attached, what filter...
With the sun on the horizon, this was the perfect time to use my new Hitech Three Stop Reverse Grad in real anger. Review of that coming soon.

Filter aligned with the horizon, the dark middle laying across the skyline, holding back the sun perfectly.
Aperture priority mode? Selected. Matrix Metering? On.

201007020104Click. Flaaaare.
The direct sunlight was just too much.
As much as I hate it, I had to stop the lens right down. Trying aperture settings from f/16 all the way upto f/29, diffraction was just something I was going to have to deal with if I wanted this shot, and I just couldn't pass up this shot.
f/22 it is. Locked, click, check exposure, adjust exposure compensation/shutter speed, click...

Gotcha.

Little did we know that we were only just getting started, and the Sunset Gods had a lot more instore for us.

Varying composition, experimenting with settings and generally lapping up this gorgeous evening.
Nothing quite came close to the first shot though; the foreground details, the lead in lines, the depth, the starburst from the sun. I couldn't match that.
Until...

...the whole sky exploded into colour!
I've been doing this for 4 years now and I don't think I've ever seen colours in a sky quite like this.

The reds, the yellows, oranges, pinks, purples.
Arrrrrr. Colour pallet overload.
The light turning the mist in the downs violet, and with it all constrasting against the yellowy-grey ears of barley strewn out for miles infront of us.

It was genuinely awe inspiring. The whole world bursting into life just before going to sleep for the night.

Snap snap snap! Recompose! Snap snap snap! Rinse and repeat.
I wanted to make the most of this light, but theres only so many compositions you can create when you're in the middle of a field, a sea of seemingly identical plants.

I got my shot, and then another shot, and one more for good measure.
And as quick as the colour had burst into life, it slowly faded into the night, leaving no trace, other than the images on my memory card and in my head...

Its moments like these, that as a landscape photographer, you dream of.
You feel uplifted, giddy, giggly, euphoric, high.
When all your waiting pays off, when all your doubts are destroyed, just because of those few moments, when the light emerges and shines down across the vista infront of you.

Its what I live for... Its my life.
And I wouldn't have it any other way now.


Needless to say, high fives were shared, fist bumps given, and a sing-song may have occured in the car... before I got kidnapped and taken to Portchester castle, in the dark, and rain... But thats another story all together...



All the images are available as prints.
Click to image to be taken to the corresponding product page.

 

201007020104 201007020150 201007020154

I have not adjusted the colours of this image. Colours are as seen and recorded by the camera.
Minor Lightroom and Photoshop adjustments have been made, but the image is as seen.

   

Featured Photo - MSH8946

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MSH8946

MSH8946

Lee-on-Solent, Hampshire. March 5th, 2010.

Nikon D200 w/ Sigma 10-20mm @ 10mm.
1.6sec at f/11. ISO100.

Hitech 0.9 [3 stop] hard ND grad.
Lee filter holder.

RAW Processed in Lightroom 2.
Tweaked and sharpened in Photoshop CS4


I shot this on what I think is one of the most beautiful nights we've had so far this year.

There had been heavy cloud for most of the day and I wasn't too optimistic for a nice sunset.
I needed to get out for some fresh air, so I thought I'd take the gear out just incase; and I'm glad I did.

   

Featured Photo - PANO7444

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PANO7444

PANO7444

Titchfield Haven, Febuary 5th, 2010.

Five image panorama
RAWs processed in Adobe Lightroom Two.
Images Aligned and Stitched in Adobe Photoshop CS4

Nikon D200. Sigma 10-20mm @ 14mm.
0.6sec @ f/11. ISO100.

.9 [3 stop] Hitech ND Grad. Hard edged.

Shot in Manual. Exposure set by trial and error.


So this shot has been about four years in the making now...
I absolutely love the harbour down at Titchfield Haven. Its where I go to relax, write and think, and its normally my first port of call if I go out shooting.
Ever since I took up photography, I've been trying to get a image of the harbour that really stands out. I've tried panoramics, single shots, vertoramas and HDR's, exposure blends, Infrareds; all sorts, but I never seem to capture a shot that really does it justice.

   

Featured Photo - MSH3906 - The Minimalistic Vertoramic Seascape

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MSH3906
MSH3906 - The Minimalistic Vertoramic Seascape -

Two image 'Vertorama'.

Nikon D200. Sigma 10-20mm @ 12mm.
3 seconds @ f/16. ISO 100.

.9 [3 stop] Hitech ND Grad. Soft edged.

Shot in Manual.
Spot metered from the surf and sky to determine filter selection.
Custom White Balance applied in Adobe Camera RAW.



Shot this back on October 25th '09. Was a bit of a breezy evening; couldn't turn my camera into the wind without the lens getting absolutely plastered with sea spray. Canne remember how many times I cleaned the lens and filters that evening.
Was a shame, as the best light and colours were in the same direction as the on coming wind.

Another down side to the wind was the lashing I got from the waves.
On a few occasions they came over the top of my ankles and down into my boots. Was a bit chilly to say the least.
Hence why this shot was taken from a bit further back though I still managed to get wet, thus resulting in me shooting it as a 'vertorama'...

   

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